Au sol camaïeux divers verts et marrons. Un rayon se pose. Mordoré. Rosy-Blue apparaît

The installation proposes a liminal space, one that appeals to multiple senses. The sound is broadcast through the entirety of the exposition space and not only in the projection area. It does not directly accompany the images; it occupies the space and in so doing reveals it, gives it a new materiality. The sound places us in a specific state of perception. It constructs a path in which we re-encounter one of the forms present in the film. This form is an architectural outgrowth, a protuberance that takes on the characteristics of one of the filmed sculptures. Sometimes one of the dancers appears. Here, the sculptural form, the sound, and the performance play on the link between space and fiction (the film’s time) and the exhibition space (the present time, the spectator’s time). The spectator might wonder – if the effect is successful – in which space and time he is situated. 

The project was originally conceived as a simultaneous projection in Senegal and in France, with the simultaneity acting as the project’s heart. It has now multiplied into several versions. At each new exposition, the installation changes.